♠ | 025 | Voice
lastrat: (where you go)
[personal profile] lastrat
[No video, this time, because he's still fucking angry. He can control the edge in his voice just barely - he can't control the glower. And he has yet to clean up his shattered Item, the second time he's broken it against a wall of his flat.

When he clicks on the audio, he sounds angry, but you might believe that he's managing it just fine. Might.]


Ellie's vanished.

[And that's all. He's not one for elaboration.]

[Private to Natasha]

Busy?

♠ | 023 | Video
lastrat: (a look in your eye)
[personal profile] lastrat
[When the feed comes on, it's to Bond's back, moving away from the camera. It only takes a moment for him to get far enough away that it's clear where he is - an empty, Barge standard room - and that he is not alone. Esther is sitting in a chair facing the camera. Bond steps around her, pulling off his tie and tugging her hands up to bind them in front of her. When he looks up at the camera, it's brief, and only to assure himself that the recording light is on.

As Esther rouses, she focuses, and immediately begins to tear up.]
What are you doing? Let me go!

Stop that. [Bond is short with her, his patience gone. He's been back less than an hour; of course Esther would be the first to run into him.

When Esther shows no intention of obeying, Bond steps in front of her - not to hide that he backhands her, because that much is clear even without direct line of sight. He starts speaking without looking at the camera, moving around behind Esther again. He ignores her tears, and more than that, her cries for help.]


Usually I don't mind a good lie. [He reaches for the ribbon around her neck, and grabs a fistful of her hair when she shrieks and tosses her head. When he tears it away, there's a scar around her collar. He has to raise his voice, because the moment he pulls it free, she starts screaming like a wild thing, not the prim little girl she's been pretending to be.] But I think this one's gone far enough.

[Her wrists are next, and Bond pulls her arms up. Esther struggles, half rising; Bond shoves her back into the chair, and rips away the ribbons on her wrists, revealing more scars.]

Most of you will remember a flood where the Admiral thought it would be a good laugh to send us back to our youth. [He throws her arms back down, glaring a warning, and pulls a handkerchief from his jacket pocket. Bending over her shoulder, he drags the cloth over her face, holding up the makeup stained pocket square for the camera. He returns to the task, hand tight in her hair to keep her still, acting as though her shrieks don't phase him. The more makeup he wipes away, the less child-like she looks.] Esther tried to convince us that she'd been aged up instead of down. [Grabbing her by the jaw, he forces her mouth open so he can shove the handkerchief in as a temporary gag.]

She's a grown woman, responsible for the fire, my death and near death, and Ellie's attack. These scars are from a straitjacket - the one she wore when she was a teenager. She's been pretending to be eight for god knows how long - long before the Admiral decided she deserved a second chance. [He sneers.] I'd certainly disagree.

♠ | 020 | Voice + Spam
lastrat: (live and let die.)
[personal profile] lastrat
Private notes to Elena, Cassel, Chris, Selina, & Natasha )

[Pub Spam]

[He really ought to be in the infirmary, but don't try to tell him that. Bond died an ugly, bloody death, and stayed that way for a day or two. It's an ugly knowledge, and it coils tight in the pit of his belly. Liquor doesn't soothe it, just eases it for a while. It sits a little looser, quieter. And the burn warms him, settles and spreads. It hurts his throat, though the burn has always been pleasant before.

He remembers Elena's teeth sinking into his skin, tearing, and fixes another martini.

He's far gone, drunker than he's ever been on the Barge, and he can't bring himself to care. He usually only gets this pissed on planes, or in the safety of his own flat at home: not when there are dangers around any given corner, not when there are vampires, werewolves, people who have every right to strip reparations for bad memories from his hide.

Not that he'd let them - not that he could do much, like this.

He sits at the bar, a martini in one hand, the other rubbing his aching eyes. Sleep would do him good, but he can't bring himself to leave yet. Not until the ache in the side of his neck fades, not until everything becomes a low buzz and nothing else.]


Spam for Vesper )

♠ | 013 | Voice + Spam
lastrat: (I'm gonna break the cycle)
[personal profile] lastrat
[Spam]

Private spam in the firing range )

[Some time later, he circles back to the deck, looking slightly less murderous. He's gotten his hands on a pack of cigarettes and a box of matches in the interim, and he lights one now, leaning over the rail. It's been years since he smoked, not since he left the Royal Navy, really, and the taste is acrid against his tongue. It doesn't stop him from inhaling deeply, like the hard taste of gin doesn't stop him from drinking deeply. At least he doesn't cough.

When the cigarette burns low, he pulls it away from his lips, watching the embers burn and flare, before flicking it away over the edge. He watches until it disappears, then reaches for another.]


[Public]

[Someone is feeling a bit like shit. Which means it's time to hide it away and raise an innocuous topic while lounging in a chair in his cabin.]

I imagine between the lot of us there's been quite a bit of traveling. What are your favorite places? Beach, hotel, casino, I don't care. Where have you been?

[Private to the Admiral]

Put the adjoining door back between Vesper's room and mine, won't you?

♠ | 011 | Video
lastrat: (the living's in the way we die)
[personal profile] lastrat
[Take the shot )

When the video clicks on, it's an accident; left sitting on a the table Bond uses to drag himself up, it starts broadcasting as he lifts himself up. It's hard to see through the rush of water that drops on it; he's still soaked. And then something darker drops into frame, thicker and nearly black, and when he pushes the communicator out of the way, blood smears over the camera. It stays there as he stumbles out of sight, recording the ceiling, the blood, and the sounds of a man unwilling to call for help.]