Entry tags:
- [comm] lastvoyages,
- ain't nobody got time for this,
- basically hideous,
- being a loose cannon nbd,
- bond why,
- do not ever follow this man's example,
- don't mess with me,
- esther definitely lied,
- esther is probably lying,
- god he needs therapy,
- he's going drinking after this,
- i hate feelings,
- i've come,
- it's been fun,
- last rat standing,
- now won't you please disappear,
- so much therapy,
- stop doing dumb things bond
♠ | 023 | Video
[When the feed comes on, it's to Bond's back, moving away from the camera. It only takes a moment for him to get far enough away that it's clear where he is - an empty, Barge standard room - and that he is not alone. Esther is sitting in a chair facing the camera. Bond steps around her, pulling off his tie and tugging her hands up to bind them in front of her. When he looks up at the camera, it's brief, and only to assure himself that the recording light is on.
As Esther rouses, she focuses, and immediately begins to tear up.] What are you doing? Let me go!
Stop that. [Bond is short with her, his patience gone. He's been back less than an hour; of course Esther would be the first to run into him.
When Esther shows no intention of obeying, Bond steps in front of her - not to hide that he backhands her, because that much is clear even without direct line of sight. He starts speaking without looking at the camera, moving around behind Esther again. He ignores her tears, and more than that, her cries for help.]
Usually I don't mind a good lie. [He reaches for the ribbon around her neck, and grabs a fistful of her hair when she shrieks and tosses her head. When he tears it away, there's a scar around her collar. He has to raise his voice, because the moment he pulls it free, she starts screaming like a wild thing, not the prim little girl she's been pretending to be.] But I think this one's gone far enough.
[Her wrists are next, and Bond pulls her arms up. Esther struggles, half rising; Bond shoves her back into the chair, and rips away the ribbons on her wrists, revealing more scars.]
Most of you will remember a flood where the Admiral thought it would be a good laugh to send us back to our youth. [He throws her arms back down, glaring a warning, and pulls a handkerchief from his jacket pocket. Bending over her shoulder, he drags the cloth over her face, holding up the makeup stained pocket square for the camera. He returns to the task, hand tight in her hair to keep her still, acting as though her shrieks don't phase him. The more makeup he wipes away, the less child-like she looks.] Esther tried to convince us that she'd been aged up instead of down. [Grabbing her by the jaw, he forces her mouth open so he can shove the handkerchief in as a temporary gag.]
She's a grown woman, responsible for the fire, my death and near death, and Ellie's attack. These scars are from a straitjacket - the one she wore when she was a teenager. She's been pretending to be eight for god knows how long - long before the Admiral decided she deserved a second chance. [He sneers.] I'd certainly disagree.
As Esther rouses, she focuses, and immediately begins to tear up.] What are you doing? Let me go!
Stop that. [Bond is short with her, his patience gone. He's been back less than an hour; of course Esther would be the first to run into him.
When Esther shows no intention of obeying, Bond steps in front of her - not to hide that he backhands her, because that much is clear even without direct line of sight. He starts speaking without looking at the camera, moving around behind Esther again. He ignores her tears, and more than that, her cries for help.]
Usually I don't mind a good lie. [He reaches for the ribbon around her neck, and grabs a fistful of her hair when she shrieks and tosses her head. When he tears it away, there's a scar around her collar. He has to raise his voice, because the moment he pulls it free, she starts screaming like a wild thing, not the prim little girl she's been pretending to be.] But I think this one's gone far enough.
[Her wrists are next, and Bond pulls her arms up. Esther struggles, half rising; Bond shoves her back into the chair, and rips away the ribbons on her wrists, revealing more scars.]
Most of you will remember a flood where the Admiral thought it would be a good laugh to send us back to our youth. [He throws her arms back down, glaring a warning, and pulls a handkerchief from his jacket pocket. Bending over her shoulder, he drags the cloth over her face, holding up the makeup stained pocket square for the camera. He returns to the task, hand tight in her hair to keep her still, acting as though her shrieks don't phase him. The more makeup he wipes away, the less child-like she looks.] Esther tried to convince us that she'd been aged up instead of down. [Grabbing her by the jaw, he forces her mouth open so he can shove the handkerchief in as a temporary gag.]
She's a grown woman, responsible for the fire, my death and near death, and Ellie's attack. These scars are from a straitjacket - the one she wore when she was a teenager. She's been pretending to be eight for god knows how long - long before the Admiral decided she deserved a second chance. [He sneers.] I'd certainly disagree.
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There are a lot of things Peter wants to say to this, chief among them holy shit. Holy shit, because he knows who Bond is and what he does for a living, probably better than most of the people on board do, but being a spy is not the same as being a warden, and he does not see this going. Well.
And he still feels kind of responsible for James, even beyond the whole "I used to be your warden" thing, and he's so not looking forward to people potentially calling for his head on a pike.
But then he listens to what he's actually saying, and this is just so messed up.]
Why? Why did she do this?
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[Not that he has any intention of removing the handkerchief: she's going to have to spit it out herself.]
Or her warden.
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[ There's nothing that trips Bruce's rage triggers like the abuse of a woman. A seeming child? It has him in the red -- or rather, the green -- already. ]
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[ Warden Filter; locked from Bond, Visible to Stephanie Brown]
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[He lets his fear show deliberately, and shakes his head.]
Hey. [His voice is mostly calm, a little tremulous.] How'd you find out?
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Does that really matter? [He knows it should. It just doesn't right now, not to him.]
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He also hasn't gotten as far as he has without realising that people have reasons for doing things, even people who bat about women. Particularly in a public setting. He's careful when he speaks.]
Wasn't there… a more… diplomatic way to reveal this information?
[He's just keeping to his wheelhouse, Bond, don't mind him.]
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[He's not bothered by the accusations or the anger - he's already on edge, already angry, and he's not interested in fights that aren't already incoming. So he stays neutral.]
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[Then Gary's brain catches up.]
She killed you?
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She killed me.
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not here
he isn't surprised there's someone preparing to torture a child, and isn't shocked that it's the girl he met a few hours ago, but she's not a little girl at all, is she
she's like him, almost.
he has to stay out of this when he doesn't know who is yet who, where the power is, but he watches in rapt horror until what everyone else has to say finishes playing out.]
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He's halfway out the door when what he's doing catches up to Chris.
It's so unbelievable, it takes a second to recognize]
What.
What the fuck.
No, seriously.
What the fuck.
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A part of him feels wounded and betrayed by this revelation. He likes Esther and trusted her and kept his dog with her. He pushes those thoughts aside for now to deal with the bigger issue at hand]
James. Mr. Bond. Sir.
Please don't hurt her. Let her go. This isn't..
Iris is right. This is only making things worse. She has a warden, he'll take care of it. Just don't...hurt her.
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Does she look to be dying to you? [He never intended to do more damage than he's already done.]
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He doesn't bother introducing himself, and as viscerally upsetting it is to see a little girl hurt like this, and then to see and hear the - frankly - disturbing reveal, there's a part of him that's confused, hurt, and maybe a little furious.
Maybe a lot furious.]
How long did she get away with this?
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She's been here about six months. [That long.]
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Stop it. Right now. Or I will make you.
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So you're slapping around a tiny woman who was bound in a straight-jacket as a teenager, have I got that so far?
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[OKAY SO BACKDATED TO LIKE. MINUTES AFTER POSTING?] [also VOICE]
[That voice? Pure menace and rage, dragged out across broken glass. He's furious.]
AYE AYE
And I had so much more planned. [It's sarcasm: he never intended more than this.]
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May I ask what made you take this course of action, Sir?
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Inaction.
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