lastrat

[When the video clicks on, Bond moves away from the screen to sit forward on his bed, scooping something off the comforter in the process. The communicator is propped up on a chair in front of him; the cushion is just barely visible at the bottom of the screen. Both his hands are full - in his right is a glass, with two fingers of a dark, orange-gold liquid; scotch, a gift from Pepper for Christmas. He doesn't have much more left.

And in his left hand is a necklace - specifically, an Algerian love knot. His thumb keeps running over it, his attention settled on the necklace like it's the only thing that matters. He isn't drunk, but he might be heading in that direction.]

Before I came here, I was in a bar, in Bolivia. The man I was meeting was CIA, and I suppose as close to a friend as I have. I don't make friends, generally. I have colleagues, and acquaintances, and enemies. Felix is a good man, though. The CIA had a capture or kill order on me, but he gave me the intel I needed. Greene was meeting Medrano at the Perla de las Lunas. That was my chance. That was our chance.

There was a girl, Camille. Former Bolivian secret service. When she was a child, Medrano killed her father, raped her sister and mother and killed them, too, all in front of her. He set fire to the house, and left her to die with her family. [This isn't just rote information; he sounds in control, but there's anger, under the surface.] Orphans make the best agents. She escaped, obviously. I don't know how long she's waited for this opportunity. [Because he doesn't know exactly how old she is or was, but.]

I wanted her to have her revenge. Because I don't think I'll have mine.

[He takes a long drink, glances down at the necklace, and stands to pocket it. On his way back down, he grabs the communicator, holding it up to eye level now. He holds up the glass - there's less than a finger left now - contemplating it.]

I think I've started drinking too much. That's part of being a double-oh, you know - drinking. So many covers require blending into high stakes environments. But it's different, here. Everything's sedentary. I feel it more.

[He knocks back the rest of the glass with a vague shrug.] But it's better than grieving.

Let's lighten the mood some, shall we? Ivy told me, on my first day here, that I'm featured in a series of books, and movies. Tell me about them. I think they might be absurd fiction, but I'm concerned there will be a degree of accuracy that I'm extremely uncomfortable with.

[Bond has been laying low, for the most part: investigating quietly, observing, looking for the Admiral and the Bridge and all the other things people initially told him he'd never see or find.

It galls him that they were right.

He's also spent his time half convinced that this is all a drug induced dream meant to obtain information from him. He still isn't sure either way, honestly, so when the video clicks on, Bond's face is inscrutable, because you're getting nothing from him, Quantum. When he talks, it's easy, smooth, because he is a very good bluffer.]

Suppose this is real. Suppose we are actually on a ship meant to cure us of our villainous ways. Tell me how it works. Tell me how often it works. And what do the wardens get out of it?

[He smiles, and it's easy but doesn't reach his eyes.]

While we're here, I've learned from my mistakes, 'Admiral.' [The inflection is small, but present: he really means Quantum.] Kindly send me back to live the quiet retired life, if you please. [There are much more important things than his immortal soul, or whatever the fuck this is supposed to be about, at stake after all.]

[Private to Ivy]

It strikes me that I may or may not owe you an apology.

[Private to Lark]

Heard anything?